the songs of larry norman
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    • I Love You
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    • Live At The Way Inn - 1970
    • Maximum Garden
    • Maximum Planet
    • Motorola Corolla 2
    • Omega Europa
    • One Night In Norway - 1991
    • Only Visiting This Planet
    • On The Prowl
    • Pot O' Gold
    • Quiet Night
    • Rehearsal For Reality
    • Rehearsal For The Elsinore
    • Remixing This Planet
    • Restless In Manhattan
    • Road Rage
    • Rock, Scissors et Papier
    • Roll Away The Stone
    • Rough Diamonds, Precious Jewels
    • Rough Mix 3
    • Rough Street Love Letter
    • Safecracking
    • Sessions
    • Shake Your Rattle And Crawl
    • Shouting In The Storm
    • Siege At Elsinore
    • Slinky
    • Snowblind
    • Solid Rock Sampler 1
    • So Long Ago The Garden
    • Something New Under The Son
    • Sticks & Stones
    • Stop This Flight
    • Stranded In Babylon
    • Streams Of White Light Into Darkened Corners
    • Street Level
    • Survivor
    • Survivor (Songs From 1956 To 2000)
    • The Belfast Bootlegs
    • The Best Of Larry Norman
    • The Best Of Larry Norman Volume One
    • The Best Of Larry Norman Volume Two
    • The Best Of People! Vol 1
    • The Best Of People! Vol 2
    • The Best Of The Second Trilogy
    • The Cottage Tapes Book One
    • The Cottage Tapes Book Two
    • The Final Concert
    • The Israel Tapes
    • The Norman Conquest
    • The Norman Invasion
    • The Reunion Concert 2006
    • The Sonrise Sampler
    • The Son Worshipers
    • The Story Of The Tune
    • The Very Best Of Larry Norman Volume 1
    • The Very Best Of Larry Norman Volume 2
    • The Vineyard
    • Totally Unplugged
    • Tourniquet
    • Trouble Is A Lonesome Town (Album)
    • Underground Manouevers
    • Upon This Rock
    • We Wish You A Larry Christmas
    • White Blossoms From Black Roots
    • You Are Not My People
  • the singles
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  • the videos
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  • Alison
  • the covers
  • the wants list
  • kollector reference
  • Snapshots From The 77 World Tour
  • Ten Times Two
  • Monsters
  • How Then Shall We Live?
  • Wounded Lion
  • Maximum Son
  • Dust On Rust
  • Face To Face
  • The Trilogy Concert
  • Rebel Poet, Jukebox Balladeer: The Anthology
  • The Colossus Of Roads
  • Live Box Set
  • Live At The Cavern Club
  • Maximum Land
  • Digital Dutch Masters
  • Rough Mix 2
  • Rotterdam 1984
  • Sierra Romeo
  • The Hum Of The Diesels
  • The Salt Of The Sea
  • Magnetic Real - The Living Room Tapes 1963
  • Live In The UK '77
  • The Clown Jewels

there's lots of these too...

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Blow In My Ear And I'll Follow You Anywhere
I Got A Letter Today From The President
Capitol P-2429, ​7" promotional single, 1969, by The Flies
Kode: 7Blow-US1
Picture
Picture
Matrix, etched, side one: '45-71735-F-1.'
Matrix, etched, side two: '45-71736-F-1.' Both sides also have a stamped '1' on its side, and the Los Angeles pressing plant symbol

Blow In My Ear And I'll Follow You Anywhere
​
I Got A Letter Today From The President
Picture
Capitol 2429, ​7" single, 1969, by The Flies
​Kode: 7Blow-US2

Picture
Dead wax side 1: Etched 45-71735-F-1.
Dead wax side 2: Etched 45-71736-F-1. Both sides also have a stamped '1' on its side, and the Los Angeles pressing plant symbol

Sweet Sweet Song Of Salvation
Walking Backwards Down The Stairs
Capitol P-2766, ​7" promotional single, March 1970, US
​Kode: 7SS-US1
Picture
Picture
Dead wax side 1: Etched S-45-73651-H-1.
Dead wax side 2: Etched S-45-73776-H-1.
​Side 2 also has a stamped '1' on its side, and both sides have the Los Angeles pressing plant symbol

Sweet Sweet Song Of Salvation
Walking Backwards Down The Stairs
Capitol 2766, 7" single, March 1970, US
​Kode: 7SS-US2
Picture
Picture
Dead wax side 1: Etched S-45-73651-H-1.
Dead wax side 2: Etched S-45-73776-H-1. Both sides also have a stamped '1' on its side, and the Los Angeles pressing plant symbol

Righteous Rocker, Holy Roller
​Peace, Pollution, Revolution
Picture
MGM K14351, ​7" promotional single, 1972, US
​Kode: 7RR-US1
Picture
Note that these songs were recorded in 1971, but it is believed the single was not released until 1972. Either way, it pre-dates the album Only Visiting This Planet​
Dead wax side 1: Etched 'K14351-71L3022', 'L-2', [Illegible initials], '>1'
Dead wax side 2: Etched 'K14351-71L3023', 'L2', [Illegible initials], '>1'

Without Love
​Peace, Pollution, Revolution
MGM K-14351, ​7" single, 1972, US
​Kode: 7RR-US2
Picture
Picture
​This is a different mix than was used on the promotional single, and is some four seconds longer. Righteous Rocker was retitled as Without Love, but this was soon changed back
​Dead wax side 1: Etched 'K14351', '71L 3022 REV', '- Δ87284'
Dead wax side 2: Etched 'K14351- 71L3023', 'L-1', [Monarch Records symbol] '- Δ87284-X', [Illegible initials]

Righteous Rocker, Holy Roller
Peace, Pollution, Revolution
MGM K-14351, ​7" single, 1972, US [Title reverted]
​Kode: 7RR-US3
Picture
Picture
This release reverts to using the Righteous Rocker song title, but still uses the "Joe Reed mix"
​​Dead wax side 1: Etched 'K14351', '71L 3022 REV', 'REV 1'
Dead wax side 2: Etched 'K14351-71L3023', 'L2', [Illegible initials]

Righteous Rocker, Holy Roller
Peace, Pollution, Revolution
Picture
Picture
MGM 14351X, ​7" single, 1972, Canada
​Kode: 7RR-CA1
Picture
Picture
​​Dead wax side 1: Etched '14351- S1'
Dead wax side 2: Etched '14351- S2'
Note: Company sleeve only shown because it's a rarely seen design

Righteous Rocker, Holy Roller
Peace, Pollution, Revolution
MGM 2006-105, 7" promotional single, 1972, UK
​
Picture
Picture
The UK single is mixed differently again. It has a reversed stereo image on both sides. Righteous Rocker fades out at the same point as the US promotional single, and Peace, Pollution, Revolution fades out slightly later than the other releases
​
​Kode: 7RR-UK1
Kode: 7RR-UK3
​

​​Dead wax, stamped: Side 1: '2006105', 'A//1▽420', '11', '2', '04' / Side 2: '2006105', 'B//1▽420', '11', '3', '04'
​​Dead wax, stamped: Side 1: '2006105', 'A//1▽420', '11', '3', '04' / Side 2: '2006105', 'B//1▽420', '11', '1', '04'
​Thanks to Robert Termorshuizen for advising the existence of 7RR-UK3

Righteous Rocker, Holy Roller
Peace, Pollution, Revolution
Picture
MGM 2006-105, 7" single, April 7th 1972, UK
​7RR-UK2
Picture
Kode: 7RR-UK2
Kode: 7RR-UK5
Dead wax, stamped: Side 1: '2006105', 'A//1▽420', '11', '2', '04' / Side 2: '2006105', 'B//1▽420', '11', '2', '04'
​Dead wax, stamped: Side 1: '2006105', 'A//1▽420', '11', '2', '04' / Side 2: '2006105', 'B//1▽420', '11', '3', '04'

​​Note that the 'Sample Record' sticker can easily fall off, so it is difficult to be sure that a copy without one never had it originally. As a prime example, the A-side image (of my copy of variant -UK2 specifically) above shows an area of sticker residue of about the same size. This particular copy is thus quite possibly a sample one too

Righteous Rocker, Holy Roller
Peace, Pollution, Revolution
Picture
MGM 2006-105, 7" single, 1972, UK
​7RR-UK4
Picture
Dead wax side 1: Stamped '2006105', 'A//1▽420', '11', '5', '04'. Note that there is also a full stop or dot over the //
Dead wax side 2: Stamped '2006105', 'B//1▽420', '11', '4', '04'. Note that there is also a full stop or dot over the //

Reader's Digest
​I've Got To Learn To Live Without You
Picture
Verve VK 10718, ​7" single, test pressing, March 1973, US
​Kode: 7RD-US1
Picture
Matrix side 1: Etched 'VK10718', '72L4276-S', 'K-5219'
Matrix side 2: Etched 'VK10718', '72L4279-S', 'K-5220'

Reader's Digest
​I've Got To Learn To Live Without You
Picture
Verve VK 10718, ​7" promotional single, April 1973, US
​Kode: 7RD-US2

Picture
Matrix: Same as 7RD-US1
Note: On both sides, "Ron Edwards" has been typed on the labels, but manually corrected to "Rod Edwards"

Reader's Digest
​I've Got To Learn To Live Without You
Picture
Verve VK 10718, ​7" single, April 1973, US
​
Picture
Kode: 7RD-US3
​
​Kode: 7RD-US4
Matrix etched: Side 1: 'VK10718', '72L4276-S', 'K-5219'. Side 2: 'VK 10718', '72L 4279-S', 'K-5220'. (Same text as 7RD-US1, but differently etched)
Matrix: Same as 7RD-US1. Thanks to Robert Termorshuizen for advising the existence of this variant
​
​Note that the "Ron Edwards" error has not been manually corrected on the stock copies

I've Got To Learn To Live Without You [Mono]
I've Got To Learn To Live Without You [Stereo]
Verve VK 10720, ​7" promotional single, 1973, US
Kode: 7LTL-US1
Picture
Picture
Matrix side 1: Etched 'VK1072', 'VK 10720' '72L 42789M', 'K-6115'​​
Matrix side 2: Etched 'VK 10720', '72L 46 4279 S', 'K-6116'
The text in red is scored out. The 'VK1072' on side 1 looks like the top half of an 8 was etched then an attempt made to change it to a 2 before abandoning and starting again

I've Got To Learn To Live Without You
The Outlaw
Picture
MGM / Polydor 2006-143, 7" promotional single, 1973, UK
​Kode: 7LTL-UK1

Picture
Matrix side 1: Stamped '2006143', 'A//1▽420', '11', '2', '04'
Matrix side 2: Stamped '2006143', 'B//1▽420', '11', '2', '04'

I've Got To Learn To Live Without You
The Outlaw
MGM / Polydor 2006-143, 7" single, January 5th 1973, UK
​
Picture
Picture
Kode: 7LTL-UK2
Kode: 7LTL-UK3
​Kode: 7LTL-UK5
Matrix, stamped: Side 1: '2006143', 'A//1▽420', '11', '1', '04' / Side 2: '2006143', 'B//1▽420', '11', '1', '04'
Matrix, same as 7LTL-UK1
Matrix, stamped: Side 1: '2006143', 'A//1▽420', '11', '04' / Side 2:
 '2006143', 'B//1▽420', '11', '4', '04'

I've Got To Learn To Live Without You
The Outlaw
​

MGM / Polydor 2006-143, 7" single, 1973, UK, double pressing rings
​Kode: 7LTL-UK6
Picture
Picture
Matrix, stamped: Side 1: '2006143', 'A//1▽420', '11', '4', '04'
Matrix, stamped: Side 2: '2006143', 'B//1▽420', '11', '3', '04'​

I've Got To Learn To Live Without You
The Outlaw
​
Picture
MGM / Polydor 2006-143, 7" single, January 5th 1973, UK
​Mispress - same label on both sides. (Content is correct)
​Kode: 7LTL-UK4

Picture
Matrix side 1: Stamped '2006143', 'A//1▽420', '11', '4', '04'
Matrix side 2: Stamped '2006143', 'B//1▽420', '11', '3', '04'

Reader's Digest
​I Wish We'd All Been Ready
Picture
MGM 2006-277, ​7" single, May 25th 1973, UK
​Kode: 7RD-UK1
Picture
​Kode: 7RD-UK1

​Kode: 7RD-UK2
​
Matrix side 1: Stamped '2006277', 'A//1▽420', '1', '1', '1', '04'
Matrix wax side 2: Stamped '2006143', 'B//1▽420', '11', '2', '04'
Matrix side 1: Stamped '2006277', 'A//1▽420', '1', '1', '3', '04'

Matrix wax side 2: Stamped '2006143', 'B//1▽420', '11', '3', '04'

It's The Same Old Story
Christmas Time
MGM K 14676, ​7" promotional single, November 1973
​Kode: 7SOS-US1
Picture
Picture
Matrix, etched, side one: 'K14676', '73L5617', 'S', 'Re.1', 'K-6879'. Note, the 'S' is inside a circle
Matrix, etched, side two: 'K14676', '73L5621', 'S', 'Re.1', 'K-6880'. Note, the 'S' is inside a circle

It's The Same Old Story
Christmas Time
MGM K 14676
​7" single, November 1973
Picture
Picture

Baroquen Spirits
​Nightmare
Picture
MGM 14702/3
​7" single, test pressing, 1973/1974
Picture

Baroquen Spirits (Stereo)
Baroquen Spirits (Mono)
Picture
MGM M14703
​7" single, test pressing, 1973/1974
Picture

Baroquen Spirits (Stereo)
Baroquen Spirits (Mono)
MGM M14703
​7" promotional single, February 1974
Picture
Picture

Christmas Time
It's The Same Old Story
MGM 2006 385
7" single, 1974, French release, distributed by Polydor
Picture
Picture
Picture
Picture

The Rock That Doesn't Roll
​Diamonds / One Way
Picture
Solid Rock SRS-200, ​7" promotional single, 1976
Kode:7RTDR-US1
Picture
Matrix, etched, side one: ‘SRS-200-A Ⓘ>’, [Open mouth drawing], ‘SOLID ROCK - IN ANOTHER LAND - SEPT. 1975’, ‘AB’, ‘#64’
Matrix, etched, side two: ‘SRS-200-B Ⓘ >’, ‘AB’, ‘DEATH IS CONQUERED THOUGH YOU SLUMBER - SEVEN IS THE PERFECT NUMBER’, ‘#63’
Note that the ‘#’ numbers are etched in reverse

​Christmas Song For All Year 'Round - by Randy Stonehill
Christmas Time
Picture
Solid Rock SRS-202, ​7" single, test pressing, 1976
Kode: 7CT-US1

Picture
Matrix, etched, side one: 'SRS-202-AS', 'Ⓘ >'. Side two: 'SRS-202-BS', 'Ⓘ >'

​Christmas Song For All Year 'Round - by Randy Stonehill
Christmas Time
Picture
Solid Rock SRS-202, ​7" promotional single, 1976
Kode: 7CT-US2
Picture
Same matrix as 7CT-US1

​Christmas Song For All Year 'Round - by Randy Stonehill
Christmas Time
Solid Rock SRS-202, ​7" promotional single, 1976
Kode: 7CT-US3
Picture
Picture
Same matrix as 7CT-US1

​Christmas Song For All Year 'Round - by Randy Stonehill
Christmas Time
Picture
Solid Rock SRS-202, ​7" single, 1976
Kode: 7CT-US4

Picture
Same matrix as 7CT-US1

U.F.O.
I Am A Servant
Picture
Solid Rock SRS-204
​7" single, test pressing, 1977
Picture

U.F.O.
I Am A Servant
Picture
Solid Rock SRS-204
​7" single, 1977
Picture

I've Got To Learn To Live Without You
​Song For Pamela (Fly, Fly, Fly)
Picture
Rhema Records RHS-001
​7" single, 1977
Picture

I Feel Like Dying
Hold On (by Alwyn Wall)
Solid Rock / Chapel Lane CS 103, ​7" single, 1981, UK
​Kode: 7IFLD-UK1
Picture
Picture
Matrix side one, etched: 'MPO', 'CS', '103', 'B1', 'A1', 'MPO', 'CPL', 'CS', '003', 'B1'. Text in red is crossed out
Matrix side two, etched: 'MPO', 'CS 103', 'A1', 'B1', 'MPO', 'CPL', 'CS', '003', 'A1'. Text in red is crossed out

The Tune (Almost)
The British Invasion Sampler
Picture
Phydeaux / Solid Rock Productions BONE 111
7" EP,  test pressing, 1981
Picture

The Tune (Almost)
The British Invasion Sampler
​
Phydeaux / Solid Rock Productions BONE 111
7" EP, 1981
Kode: 7Ants-US2
Picture
Picture
Picture
Picture
Picture
Picture
Matrix, etched, side one: etched 'Bone - 1111 -A’. Side two: etched 'Bone 1111 - B’
​
Note that the sleeve image is the same photo as was later used on the "Australian" version of In Another Land

Strong Love
Strong Love
Stress Records VC-5782
7" single, 1984

From the album Quiet Night. This is Larry Norman covering a Tom Howard song
Picture
Picture

Stop This Flight (Live)​
Everybody Work (Live)
Solid Rock EO 43513, 12" single, 1985
Kode: 12STF-US1
Picture
Picture
Matrix, etched, side one: 'EO-43513-A'. Side two: 'EO-43513-B'. Both sides also have what looks like two overlapping 'S' together with an 'A'

Came in a plain light blue sleeve with centre cut out. Both songs are of the same performances which appeared on the Face To Face video. The soundtrack of this video was eventually released as a CD with the same title, in 2007. No album titled 'Face To Face Volume II' has ever been released, so it is not clear whether this was to be simply an album containing the video soundtrack or if it was to contain additional or different recordings​


LARRY NORMAN RELATED SINGLES

The following are singles Larry was involved in, but which are not Larry Norman or People! releases

​Gene Mason - Beechwood Park / With Pen In Hand
Sierra Records PT-697 / 698
​7" promotional single, 1969

​Larry assisted with the song Beechwood Park in some way - "So I worked on his recording of "Beechwood Park" and a couple of others until he quit the band and we started a new People! in 1974"
Picture
Picture

Randy Stonehill - Puppet Strings / I've Got News For You
​
Picture
Solid Rock SRS-201
​7" promotional single, 1976
Picture

Tom Howard - One More Reason / All Through The Day
​
Picture
Solid Rock SRS-203
​7" single, 1977
Picture

Pantano Salsbury - Lover Of My Soul / I Don't Wanna Wander
​
Picture
Solid Rock SRS-205-DJ
​7" promotional single, 1977
Picture

Mark Heard - Here I Am (Once Again) / Castaway
​
Picture
Solid Rock SRS-206-DJ
​7" promotional single, 1979
Picture

Picture
Stranded In Belfast [2000]
  1. Be Careful What You Sign
  2. Born To Be Unlucky
  3. One Way
  4. Moses

This pre-release sampler of Rough Diamonds, Precious Jewels was given to people who had ordered ten or more tickets to Larry's March 2000 concert in Belfast

​Note that this version of Moses was not used on the final release


Picture
Rough Diamonds, Precious Jewels Vignette Sampler, First Version [2001]

As the release date was pushed back several times, Paul Shaw and Trevor King (the creators of The Belfast Bootlegs) sold this vignette sampler disc so prospective buyers of the finished 4CD set could gauge the sound and content quality. The price of the sampler was discounted from the full release price for those who bought both
  1. Near
  2. If You'll Be My Woman
  3. It's Getting So You Can't Trust Nobody
  4. Parson Brown
  5. Baby Out Of Wedlock
  6. No More LSD / Note From Mr God
  7. Watch What You're Doing
  8. Why Should The Devil?
  9. I Feel Like Dying
  10. Feeling So Bad
  11. Put Your Life In Jesus Hands
  12. I Wish We'd All Been Ready
  13. Be Careful What You Sign
  14. Weight Of The World
  15. Let The Rain Fall Down
  16. Sweet Sweet Song Of Salvation
  17. Moses (Rap)
  18. I Am A Servant
  19. Elvis Has Left The Building
  20. Twelve Good Men
  21. Rock The Flock
  22. Walking Backwards Down The Stairs
  23. At The Circus
  24. Centre Of My Heart
  25. The Troubles (Song for Belfast)
  26. The Troubles (Studio Ruff Mix)
  27. Lugoj (Studio Ruff Mix)
  28. Rock That Doesn't Roll

Picture
Rough Diamonds, Precious Jewels Vignette Sampler, Second Version [2001]

Whilst much of the content was identical, a second sampler was released with some significant differences
  1. Near
  2. If You'll Be My Woman
  3. It's Getting So You Can't Trust Nobody
  4. Parson Brown
  5. You Knew What You Were Doing
  6. No More LSD / Note From Mr God
  7. Watch What You're Doing
  8. Why Should The Devil?
  9. Feeling So Bad
  10. I Wish We'd All Been Ready
  11. Weight Of The World
  12. Let The Rain Fall Down
  13. Rain / Let This Good Life
  14. Good Life
  15. If I Were A Singer
  16. Moses (Rap)
  17. Elvis Has Left The Building
  18. Twelve Good Men
  19. Be Careful What You Sign​
  20. At The Circus
  21. Centre Of My Heart
  22. The Troubles (Song for Belfast)
  23. The Troubles (Studio Ruff Mix)
  24. Lugoj (Studio Ruff Mix)
  25. Rock That Doesn't Roll

Picture
Rough Diamonds, Precious Jewels Vignette Sampler, Third Version [2001]

The third and final variant of the vignette sampler, again with a few significant differences
  1. Near
  2. If You'll Be My Woman
  3. It's Getting So You Can't Trust Nobody
  4. Parson Brown
  5. Baby Out Of Wedlock
  6. No More LSD / Note From Mr God
  7. Watch What You're Doing
  8. Why Should The Devil?
  9. Feeling So Bad
  10. I Wish We'd All Been Ready
  11. Weight Of The World
  12. Let The Rain Fall Down
  13. Rain / Let This Good Life
  14. Sweet Sweet Song Of Salvation
  15. Moses (Rap)
  16. Riverdance #1
  17. Elvis Has Left The Building
  18. Twelve Good Men
  19. Be Careful What You Sign
  20. At The Circus
  21. Centre Of My Heart
  22. The Troubles (Song for Belfast)
  23. The Troubles (Studio Ruff Mix)
  24. Lugoj (Studio Ruff Mix)
  25. Rock That Doesn't Roll

Picture
Essential Test Disc [2001/2 - TBC]

Larry became extremely ill upon returning home from the UK tour in 2001. His son Michael sent this vignette sampler CD out as a survey to find which songs would be most desired on a future release. It included songs by several Solid Rock artists as well as by Larry himself

The first six songs are all faded out early, ranging from roughly ninety seconds to two and three quarter minutes in length

The remainder are all short snippets and almost all less than thirty seconds in length
Introduction by michael norman
Hi, this is Mike. You are listening to the Essential survey disc. In section one please select the two songs you like the most from these next six selections

[Spoken by Larry's son Michael]
introduction 2 by michael norman
In section two of the survey, which is probably going to be difficult for many people, please choose the songs you think you might be interested in hearing the rest of. The easiest way to fill out this part of the survey is by not listening too closely, but just writing down your first impressions

​[Spoken by Larry's son Michael]
outroduction by michael norman
Thank you for being a part of this music survey. I hope you'll enjoy hearing all of the songs we will be putting out which have never been heard before. God bless you

​​​[Spoken by Larry's son Michael]
  1. Introduction by Michael Norman
  2. Christmas Time
  3. Fly Fly Fly
  4. The Same Old Story
  5. Righteous Rocker
  6. Nightmare #71
  7. Baroquen Spirits
  8. Introduction 2 by Michael Norman
  9. One Star Remains
  10. ??
  11. I Don't Wanna Lose You
  12. Positively Like A Servant
  13. Two Trusting Jesus, by Mark Heard
  14. ??
  15. ??
  16. ??
  17. ??
  18. ??
  19. ??
  20. Sweet Silver Angels
  21. How I Lost My Life And Found My Soul
  22. ??
  23. Watching The Eclipse
  24. ??
  25. ??
  26. Stuck In America
  27. ??
  28. Mark Heard??
  29. ??
  30. Novel
  31. I Call Her Doctor
  32. ??
  33. When All My Dreams Are Ending
  34. RS
  35. ??
  36. ?? [Same as track 25]
  37. ??
  38. Sitting In My Kitchen
  39. ??
  40. ??
  41. I Call Her Doctor [Same as track 31]
  42. Mark Heard??
  43. ??
  44. Outroduction by Michael Norman

Published on Bandcamp on September 4, 2024

​Includes all three versions of the song that have been released

Picture
You Gotta Have Jesus [2003]
  1. You Gotta Have Jesus

This song was written by Washington Phillips (titled Denomination Blues) and first recorded by him in 1927. Larry released it as a single track CD which was originally only available to attendees of what was at the time expected to be his last ever concert, in Beaverton, Portland, in 2003. Most if not all copies were autographed. The artwork denoted it as an 'edited single version', even though it would be some time before any other version was released

Larry Norman - vocals, guitar
Charles Norman - guitars
Jon Tanis - guitar
Jason Carter - drums
​Tom Nunes - bass

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The Tune [2003]

​​The photograph of Larry used on the cover was taken by Norman Nabney, during a concert in Newcastle, County Down, Ireland, in July 1973. Norman had never heard the song before, but remembers that his taking of the picture coincided with the philosophers saying 'how did he do that?'
  1. The Tune
  2. The Tune [Short Hidden Track] - This is the refrain from the full length version, preceded here by twenty 22 second long silent tracks

As described on the Larry Norman website upon release:

​"The Tune" was written by Larry in 1971. During the next two years an author, from the town where Larry first performed this, wrote a book called "The Singer" and another book called "The Song." The books were gigantic sellers. And the biggest gospel artist from the Southern gospel end of Christian show biz (who shall remain nameless) took "The Tune", kept the tempo and the flavor and re-titled it "God Gave The Song." It was one of the biggest hits the artist had up until that point.

We thought it was time Christian radio stations heard the original. This is "The Tune" with a 45 piece orchestra. It has been available off and on in very limited quantities for years, but never presented officially to the gospel community.

So, here it is.

"The Tune"

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The First Noel [2003]
  1. The First Noel
  2. O Holy Night
  3. Carol Of The Bells Medley

As described on the Larry Norman website upon release:

From The Album Christmastime

This is the radio single which is being sent out to stations around the country. We had some extras printed up in case some of you wanted a copy. This is Larry's first radio single in years.

These three songs are from the Christmastime album, but they have all been edited for the radio. Larry has cut sections out of the middle, cut off segments in the front, changed the fade-out timing and other things he used to do at Capitol and MGM.

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Ya Gotta Be Saved [2010]
  1. Ya Gotta Be Saved

​Note that this is not a Larry Norman or Solid Rock release.

Ya Gotta Be Saved was recorded by the Crosstones and Larry Norman just six months before Larry's death. The song was written by Bobby Emmons and Tim Marazita. Bobby sang lead on the verses while Larry sang lead on the bridge and harmonies on the 2nd and 3rd verse.

This is available via download only, and was released in January 2010 on all major music download sites.

​In 2004, Larry started a new fan club, called The Solid Rock Army (SRA). With the exception of 2008, which became a "free" year, members were sent packages every year, containing a variety of items. Most packages included a CD single, or if not, a DVD. These CD singles generally contained unreleased and unheard songs, or at least unheard versions of songs, and are detailed in this section

Although the Solid Rock Army officially ceased after 2013, the members only forum continues to this day

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The Six O'Clock News [2004]
The Six O'Clock news (FINAL VERSION, EDITED)
[Go to Song Page]

​​
I got a ticket for southeast Asia
I packed my camera and press card badge
They only paid me to stay the weekend
What if I never come back

The flight was pretty rough
I got a room, took a sauna
The bellboy gook put my bags on the bed
He left without his tip

Then I loaded up my Hasselblad full of film
And I stepped outside, I stepped outside

I'm taking pictures of burning houses
Color movies of misery
I see the flash of guns, how red the mud becomes
I've got a close-up view

I'm the six o'clock news
What can I do
All those kids without shoes
What can I do
Military coups
What can I do
I'm just the six o'clock news

I got a suite at the Saigon Hilton
Cocktail parties with Premiere Ky
We talk about how the war is going
And watch his color TV

I'm the six o'clock news
But what can I do
Drinking black market booze
What can I do
I'm red and white and true blue
What can I do
I am, I am, I am, I am, I am
The six o'clock news

Catch my plane flight back to the mainland
I fall asleep to the engine's drone
I see the flash of guns, how red the mud becomes
I've got a close-up view
I am, I am, I am, I am, I am

The six o'clock news
What can I do
Guerilla rendezvous
And what can I do
All those kids without shoes
What can I do
Napalm tattoos
What can I do
What can I do
What can I do
I'm just the six o'clock news, oo-ugh
What can I do
I am, I am, I am, I am, I am
The six o'clock

CBS, ABC, NBC
CBS, ABC, NBC
CBS, ABC, NBC [x4]

CBS, ABC, NBC
CBS, ABC, NBC
CBS, ABC
the six o'clock news (PRE-PRODUCTION SCRATCH VOCAL)
[Go to Song Page]

​​One, two, one, two, three [Spoken]

I've got a ticket for southeast Asia
I packed my camera and press card badge
They only pay me to stay the weekend
What if I never come back

The flight was pretty rough
I got a room, took a sauna
The bellboy gook put my bags on the bed
He left without his tip

Then I loaded up my Hasselblad full of film
And I stepped outside, I stepped outside

I'm taking pictures of burning houses
Color movies of misery
I see the flash of guns, how red the mud becomes
I've got a close-up view

I'm the six o'clock news
What can I do
Military coups
What can I do
All those kids without shoes
What can I do
I'm the six o'clock new na na na na ah ah ah ah ah ah ah ah

One, two, three, four
One, two, three, four [Spoken]

I’ve got a suite at the Saigon Hilton
Cocktail parties with Premiere Ky
We talk about how the war is going
And watch his color TV

I'm the six o'clock news
What can I do
Drinking black market booze
What can I do
Red and white and true blue
What can I do
I am, I am, I am, I am, I am, boomf
The six o'clock news

Shhh sha
Catch my plane flight back to the mainland
Fall asleep to the engine's drone
I see the flash of guns, how red the mud becomes
I've got a close-up view
I am, I am, I am, I am, I am, boomf

The six o'clock news
What can I do
Guerilla rendezvous
What can I do
All those kids without shoes
What can I do
Napalm tattoos
What can I do
What can I do
What can I do
Me, I’m the six o'clock news
Ready, what can I do
Ah I am, I am, I am, I am, I am, boomf
The six o'clock news

Ugh

Huh ugh

Unh

Hey

Oi

Uh
why me lord
[Go to Song Page]

​Why me Lord, what have I ever done

To deserve even one
Of the pleasures I've known
Tell me Lord, what did I ever do
That was worthy of you
Or the kindness you've shown

Lord help me Jesus, I've wasted it so
Help me Jesus, I know what I am
Now that I know that I needed you so
Help me Jesus, my soul's in your hand

Tell me Lord, if you think there's a way
I can try to repay
All I've taken from you
Maybe Lord, I could show someone else
What I've been through myself
On my way back to you

Lord help me Jesus, I've wasted it so
Help me Jesus, I know what I am
Now that I know that I've needed you so
Help me Jesus, my soul's in your hand

Why me Lord, what have I ever done
To deserve even one
Of the pleasures I've known
Tell me Lord, what did I ever do
That was worthy of you
Or the kindness you've shown

Lord help me Jesus, I've wasted it so
Help me Jesus, I know what I am
Now that I know that I needed you so
Help me Jesus, my soul's in your hand

Lord help me Jesus, I've wasted it so
Help me Jesus, I know what I am
Now that I know that I needed you so
Help me Jesus, my soul's in your hand

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Eve Of Destruction [2004]
eve of destruction
[Go to Song Page]​

​
​The Eastern world, it is exploding
Violence flaring, bullets loading
You're old enough to kill but not for voting
You don't believe in war, but what's that gun you're toting
And even the Jordan river has bodies floating

And you tell me
Over and over and over again my friend
That you don't believe
We're on the eve of destruction

Don't you understand what I'm trying to say
Can't you feel the fears I'm feeling today
If the button is pushed, there's no running away
There'll be no one to save with the world in a grave
If you take a look around you it's bound to scare ya

Tell me
Over and over and over again my friend
You don't believe
We're on the eve of destruction

Yeah my blood's so mad, feels like coagulating
I'm sitting here just uh, contemplating
I can't twist the truth, it knows no regulation
Handful of senators can't pass legislation
And marches alone can't bring integration
When human respect keeps disintegrating
This whole crazy world is just too frustrating

Tell me
Over and over and over again my friend
That you don't believe
We're on the eve of destruction

Think of all the hate there is in Red China
Then take a look around to Selma, Alabama
You may leave here for four days in space
But when you return, it's the same old place
The pounding of the drum, the pride and disgrace
You can bury your dead, but don't leave a trace
Hate your next door neighbour but don't forget to say grace

Tell me
Over and over and over and over again my friend
You don't believe we're on the eve of destruction
No you don't believe we're on the eve of destruction

You don't believe we're on the eve of destruction
radio interview *
Host: Today's artist is considered by many to be the grandfather of christian rock, or the grandfather of Jesus music. He's nurtured artists like Randy Stonehill, Steve Camp, Daniel Amos, Mark Heard and Keith Green. [I Am A Servant starts playing]. In 2001 he was inducted into the Gospel Hall of Fame, the same night as Elvis Presley. He's written an estimated six to seven hundred songs since his childhood. Maybe you'll remember some of these classics from Larry Norman

I am a servant
I am listening for my name [Segues into U.F.O.]
He's an unidentified flying  object
You will see him in the air
He's an unidentified flying object
And you will drop your hands and stare [Segues into Why Don't You Look Into Jesus]
Why don't you look into Jesus
He got the answer [Segues into The Rock That Doesn't Roll]
Wowie zowie well he saved my soul
He's the rock that doesn't roll
He's the rock that doesn't roll
He's the rock that doesn't roll [Segues into Righteous Rocker]
You can be a righteous rocker or a holy roller
You can be most anything
You can be a child of the slum or a skid row bum
Or you can be an earthly king
But without love, you ain't nothin' without love [Segues into I Love You]
I love you, I love you, I love you, I love you, I love you, I love you
I love you, I love [Host starts talking] you, I love you, I love you, I love you, I love you

Host: If you're familiar with Larry Norman's music, you know that he uses a variety of styles. I had a chance to talk with Larry recently, and he explained his early musical influences

Larry: Uh I, I guess it all started with my grandfather. He first started playing me his old vaudeville artists like Bert Williams, a very, very famous black singer at that time. And uh, so yeah, blues and um kind of a vaudevillian humour, uh were some of the earliest uh, influences. I lived in a black neighborhood, so I was also being exposed to black gospel music and um, the early phases of R&B. So um, that's why some of the songs like The Sun Began To Reign sound like eh Rudy Vallée might be singing them. [The Sun Began To Reign starts playing]

A thief fell out of heaven with some loaded dice
But the lamb rolled a seven back to paradise
The bread was finally leavened so I had a slice
And the sun began to rain

[Interview continues over the music]

Water swelled from fountains and then turned to wine
Rocks fell from the mountains in a chorus line

Larry: And then classical music, I loved classical, so that's why Pardon Me sounds like uh, it was written a hundred years ago, two hundred years ago. I never was copying anything. I, I was exposed to music so early in my life that to me, this be', this was part of the way I thought, an' it came out of my love for music

Host: But there's one thing that far outweighs his love for music, and that's his love for Jesus. Larry has always been outspoken about the importance of knowing Jesus and serving him. He described where he got that passion to share Christ with others

Larry: When I was about five, we were all getting ready to cross Market Street in San Francisco, and my dad just started talking to this sailor about Jesus. So I thought, well that's a normal thing to do. So I started talking to my friends at school in the first grade. And then by the fourth grade, I was singing to them. I'd just walk up in front of them while they're eating their lunch and just stand there while they're sitting on the bench, and I'd sing and talk to 'em, and it was very forward, now, looking back but I didn't know it at the time. And they didn't seem to mind. They'd either ignore me or listen to me and I was always prepared for rejection so I thought that that was eh almost an ingredient of witnessing to people. Then when I was eighteen or nineteen I went out on the streets, started witnessing. I'd been doing it in high school, but, but not on the streets you know, and, and, and then I had, I was living in LA, so I just figured Hollywood Boulevard, that's my beat. Nobody else was doing it so that's, means it must be my street

Host: Larry went on to explain his songwriting technique

Larry: Well, I had written several hundred songs ah before I got out of high school, but I didn't really have songs that would grab the attention of someone passing by. And I figured at the least they might stay for ah one verse or one chorus and then, and then find out what it was about and run off, you know. So I tried to fill [Why Should The Devil Have All The Good Music starts playing] every uh portion of a song with a message in itself. So it's just like punch, punch, punch right, it's like being in a fight, you know. Fight the good fight, run the race, you just, you don't slow down halfway round the track and take a break, you just go as hard as you can

I want the people to know
That he saved my soul
But I still like to listen to the radio
They say rock and roll is wrong
We'll give you one more chance
I say I feel so good I gotta get up and dance

I know what's right, I know what's wrong
I don't confuse it
All I'm really trying to say is
Why should the devil have all the good music
[Interview continues over the music]
An’ I feel good every day
Because Jesus is the rock and he rolled my blues away

Larry: That's why the songs like Why Should The Devil Have All The Good Music ah, they're just filled with information.  And uh it might be done humorously or it might be very serious, but it's just chock full of, of concepts

Host: And those concepts have been rock solid. He had a sound foundation in his faith due to his mom and dad. In fact his whole family has been instrumental in supporting Larry's ministry. And in those early years that support was necessary when some churches reacted negatively toward his style of proclaiming the word. Larry described how he was perceived by some christians

Larry: They thought I was a tool of Satan and, and um, not a christian and, you know, that's what I expected them to do, so I wasn', didn't bother me, wa', it didn't disappoint me. Okay, I started [I Wish We'd All Been Ready starts playing] in 1956. By 1966, I still didn't have any ah reception from the church, no understanding. But ah, I wasn't trying to communicate to church people, I was trying to communicate to people that didn't know anything about Jesus. If I got invited to a church, I knew that they're inviting me because I wrote I Wish We'd All Been Ready. And once they hear the rest of my songs, I'm never getting invited back again

Life was filled with guns and war
And everyone got trampled on the floor
I wish we'd all been ready

[Interview continues over the music]
Children died, the days grew cold
A piece of bread could buy a bag of gold
I wish we'd all been ready

There's no time to change your mind
The son has come and you've been left behind

Larry: So I felt that I was working counter to the culture, counter to the christian culture. I was giving a gospel to people that never heard it before and didn't want to hear it, and were drinking and smoking right on, you know right in front of me when I was on stage in, in uh like nightclubs, uh, in New York, coffeehouses, folk, you know that kind of thing. And eh, and then sometimes I would talk about culture to the christians instead of talking to them about Jesus. Uh you know, really taking my lead from what I saw in the bible, Jesus had different messages for different groups of people

Host: And sometimes, Larry liked to use humour to make his point

Larry: Those were my earliest songs where, songs that were both uh spiritual and humorous at the same time, which is one of the reasons the church might have had problems with me back in the fifties, is they might have thought I was making fun of church, and I certainly wasn't. I was making fun of people, making fun of myself

Host: Then I asked Larry the question we've all been thinking. So, what are you up to now?

Larry: Um 5'10", 5'10" and a half you know, uh, ah I just put out a new Christmas album. I've never done one before, that was, that was fun, it'll be coming out this Christmas.  I'm working on some other songs um, studio songs and then occasionally releasing a, a bootleg. Usually what, what happens is I find out there's a bootleg on the internet or circulating among collectors and, and I get a copy. If it's really interesting, then I edit it, clean it up eh digitally and uh, and release it myself

Host: By the way, he's talking about bootlegs of his own musical performances. He has a vast library of most of them. He explained how that helped his ministry

Larry: That also gave me the opportunity to make every night very different if I wanted to. I could write a song spontaneously, knowing that it's on tape, and if I think the song's good when I finish, uh then I'll get the tape, memorize the song and perform it again, or record it

Host: Although he operates a studio that he named Solid Rock Records, Larry rarely performs in public anymore. He's had his share of health problems, which began with this event

Larry: I was in an airplane and, and it was a 747. It made a, a bad crash landing at LAX in 1978, and the ceiling  disengaged and fell on my head. I was in the middle section of the front section and nobody else was there, so the entire ceiling came down and I, I had brain damage

Host: But after twelve years Larry had an unusual encounter with a man who described some personal things in Larry's life that only the family would know. Then the man said this to Larry

Larry: Inside your mind or your brain, it's like there's a bunch of loose wires. Could I pray for God to reconnect them? And I said yes, and he laid his hands on me and my head got intensely hot and I heard crackling noises and boom, I woke up from twelve years of brain damage. I was completely restored. I, I was able to record a new album called Stranded in Babylon,  and I thought well, I'm back. I mean my creative ability is back, and I don't get lost anymore, and I come home with the milk, and, and uh gee, I'm normal now

Host: Since then Larry has suffered from some serious heart troubles that have nagged him to the brink of death on many occasions. And although that has limited a lot of his activities, including his travel and performance schedule, Larry still has a very positive outlook on his life

Larry: We do live in a body that's uh, has a limited warranty, you know, uh, a, a terminal um, moment in life.  And because we have not experienced what's beyond the grave, uh we can easily fear what it might be. I tell you, I'm so glad to live on the border of the land that lies ahead of me. It's exciting to look across eh the county line and, and anticipate being with Jesus. If I had been healed outright, I would have gone back to going out in the street, talking to people, uh flying around the country. Ah, I would be, go back to being very busy. So now it's just a joy to know that, yes, I could die tomorrow. But I am alive today. So, I, I think illness can be wonderful, a wonderful experience, as, as sad as it, as it might seem at the time. We, we grow so much

Host: Larry left us with these encouraging words

Larry: You might break your arm, uh when you're growing up, and uh you go to the doctors and he puts a cast on it, and then you, in your mind, when you're a kid, you go, okay now that's taken care of. Well when you get to be an adult, sometimes you break your heart, or you eh, you know, you lose confidence in, in a friend [show theme music starts playing] who is disloyal or, you know your boyfriend leaves you, your wife uh abandons you or something. And you shouldn't be looking at that. You should just say, well, God's the doctor. He'll put a cast on me, I'll be okay, I'm not going to think about it now. I'll be out of the cast, you know, pretty soon. God's on the job with us. God's taking care of us

Host: Larry has a website that provides a biography of his career, updates about his ministry, information on how to order music, and even a page for your prayer requests. Simply visit our website at primetimeamerica.o-r-g and you'll find a link to Larry's ministry. That's primetimeamerica.o-r-g. Finally, I'd like to thank Larry Norman for taking a few minutes to tell us what he's up to now. For Primetime America, I'm Lee Rubin
home movie **
* Prime Time America Radio interview with host Lee Rugen, originally aired 7/2/04

** Larry's video tour of Salem, Oregon

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Maxi Single Packet SRA 2005 Strong Hand / Til Kingdom Come [2005]
strong hand (just one miracle)
[Go to Song Page]

He was a tall man
Raised up on a field out picking cotton
In a hard land
Where the ground was poor and the wood was rotten
But when he saw her
All those bad times were forgotten

And he believed, yes he believed

She was a strong hand
A good sister and a daughter

Looking for one man
To love the way that her mama taught her

And when she saw him
She thanked God for what he'd brought her

She believed, yes she believed

And it's a miracle
How one soul finds another

Just one miracle
Is all it took, my brother

And I have seen them
As they walked this world together

And I believe, yes I believe

It's a sad thing
When one must leave the other

And fly up where the voices ringing out
With all the multitudes that gather

And but for a short while
Down here no song ever sounded sweeter

And we believed, yes we believed

For it's a miracle
How one soul finds another

Just one miracle
Is all it took, my brother

And I will see them
Someday they'll walk again together

And I believe, I believe
Yes I believe, I believe
Yes I believe, I believe
crossroads (live with jon linn)
[Go to Song Page]

​​Oh Australia is where the beautiful people are
You got so many crazy kind of animals
And at night you got millions of stars
But you must love one another
I see those aboriginals standing outside the bar
You must love one another

Well I'm standing at the crossroads
Don't know which way to go
I'm standing at the crossroads
Don't know which way to go
Some people take the high road
Some people take the low

Way back among the woods among the evergreens
Down near New Orleans
A ???
A little boy named Johnny B Goode
Never ever learned to read or write too well
But he guitar just like a ringing a bell
Oh oh (go)

Go Johnny go go go go-oh
Go Johnny go go go woo
Go Johnny go go go
Go Johnny go go go
Oh oh-oh oh-ah
Johnny be good

No bridge [Spoken]

If you are standing at the crossroads
And you don't feel well
You see Johnny guitar
And he's playing just like a ringing a bell
Then you must tell him this
Tell him that the high road goes to heaven
But the low road goes to hell

Go go Johnny go go go, take that high road
Go go Johnny go go go, take that high road
See that cross made of wood, little Johnny be good

Thanks for coming to the last concert of the last tour
And if you're standing at the crossroads and you don't know which way to go
Just remember Jesus is coming back to earth
Sweet chariot's gonna swing low [Spoken]

Standing at the crossroads, which way should we go
Standing at the crossroads, which way should we go
And Jesus stands at your heart and he keeps on knocking and knocking on your door
He keeps on knocking on your door
​Go wo-oh

​Wey​
til kingdom come
[Go to Song Page]

Steel my heart and hold my tongue
I feel my time, my time has come
Let me in, unlock the door
I've never felt this way before

The wheels just keep on turning
The drummer begins to drum
Don't know which way I'm going
Don't know which way I've come

Hold my head inside your hands
I need someone who understands
I need someone, someone who hears
For you I've waited all these years

For you I'd wait 'til kingdom come
Until my day, my day is done
Just say you'll come and set me free
Say you'll wait, you'll wait for me

In your tears and in your blood
In your fire and in your flood
I hear you laugh, I hear you sing
I wouldn't change a single thing

The wheels just keep on turning
The drummers begin to drum
Don't know which way I'm going
I don't know what I've become

For you I'd wait 'til kingdom come (Ah-ah)
Until my days, my days are done (Ah-ah)
So say you'll come and set me free (Aah)
Just say you'll wait, you'll wait for me (Aah)
Just say you'll wait, you'll wait for me (Aah)
Just say you'll wait, you'll wait for me (Aah)
crossroads (studio rough mix)
[Go to Song Page]

​​​​Well I'm standing at the crossroad
Not sure which way to go
Well I'm standing at the crossroad
Don't know which way to go
Should I climb up that high road
Or should I stick to the low

Well that high road looks hard now
It goes straight up to the sky
That high road is steep mama
Goes straight up to the sky
Well the low road looks easy
I just might take it by and by

I'm just standing at the crossroad
Not sure which way to go
Well I'm standing at the crossroad
Not sure which way to go
Should I take that high road
Or keep on walking the low

Well I'm standing at the crossroad
Don't know which way to go
Well I'm standing at the crossroad
Don't know which way to go
Should I take that high road
Or should I stay on the low

Won't somebody help me
I just can't make up my mind
Well won't somebody help me
I just can't make up my mind
Well I'm just standing at the crossroads
And I'm just looking for a sign

Well I'm just standing at the crossroad
Don't know which way to go
Well I'm standing at the crossroads
Don't know which way to go
Should I climb up that high road
Or should I stick to the low

'Cause I've been tripping and stumbling
I cried the whole night long
And I've been roving and tumbling
I cried the whole night long
On won't somebody help me
Jesus I'm just not that strong
Two CD singles packaged in a gatefold plastic case

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The Road That Leads To Home [2006]
  1. The Road That Leads To Home
  2. Father Of All (Live)

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Conscription 2007 [2007]
  1. I Call Her Doctor
  2. Let Me Down Easy
  3. Sick Of The World
  4. Gonna Make It To Broadway
  5. The Man From Galilee
  6. Thru Your Mind
  7. Too Loud In Your Earphones

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Lost Unto This World [2007]
  1. Lost Unto This World
  2. You'll Never Find No One / I Am A Servant (Live)

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Rough Mix Audio Pack [2009]
  1. Childhood Dreams
  2. Let It All Fall Down
  3. Fly, Fly, Fly
  4. What's Wrong With This Body
  5. Born To Be Unlucky
  6. Pachelbel's Bombs
  7. Making Noise

This was part of an SRA package which shipped in February 2009.

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Covert Field Report [2009]
  1. I Can't Take It Anymore
  2. That's When Jesus Knew
  3. Turn Turn Turn
  4. Positively Like A Servant
  5. We Three Twogether

This was part of an SRA package which shipped in early December 2009.

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Tactical Maneuvers [2009]
  1. It's Finally Over
  2. Feed The Poor
  3. It's All Right
  4. Positively 4th Street
  5. Goodbye Farewell

This was part of an SRA package which shipped in late December 2009.

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Solid Rock Army 2010 Disc 001 [2010]
  1. This Land Is Your Land
  2. Love Is The Reason
  3. Rock The Flock
  4. It's Only Today That Counts
  5. Letter To A Friend

This was part of an SRA package which shipped in April 2010.

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Solid Rock Army 2010 Disc 002 [2010]
  1. Jimmy Carter Intro
  2. The Great American Novel
  3. Dylan should be here [Spoken]
  4. If God Is My Father
  5. The Outlaw
  6. I Wish We'd All Been Ready
  7. Radio Interview

This was part of an SRA package which shipped in December 2010. Tracks 1 to 6 are recordings of Larry's performance at the White House in 1980.

The package also contained a DVD of the tribute concert performance from the Seaside Festival in Norway, July 2009.

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The Girl With The Golden Hair [2011]
  1. The Girl With The Golden Hair
  2. The Center Of My Heart
  3. Protect My Child
  4. Endless Life Of Dreams
  5. The Girl With The Golden Hair - 2001

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The Living Room Tapes Vol. 1 [2011]
  1. Face The Wind
  2. Forever And A Day
  3. Gotta Travel On
  4. Letter From Kathy
  5. Moses

Picture
The Living Room Tapes Vol. 2 [2012]
  1. Sandy Beaches
  2. Kimberly
  3. Not Afraid To Die
  4. World Full Of Love
  5. Country Church

This was part of an SRA package which shipped in April 2012.

Picture
The Living Room Tapes Vol. 3 [2013]
  1. Head Over Heals
  2. Summer's Almost Gone
  3. At The Shore
  4. Julie
  5. Lonely Boy

This was part of a 2012 membership SRA package which shipped in early 2013.

Picture
The Living Room Tapes Vol. 4 [2013]
  1. Die In The Morning
  2. She's My Girl
  3. Christmas Song
  4. Her Hand
  5. Oh Lydia

This was part of the 2013 membership SRA package, which shipped in December 2013.

Picture
Shepherd Of Green Pastures [2013]
  1. You Gotta Move
  2. The Staff That I Lean On
  3. Six Feet Of Chain
  4. 1980 Vancouver, B.C. Interview

This was part of the 2013 membership SRA package, which shipped in December 2013.

Organ Grinder
Riding High
Kode: 7OG-US1
Picture
Capitol P 5920
7" promotional single, May 1967
Picture
Matrix side one: Etched '45-57580-F-1.' and Los Angeles pressing plant symbol
Matrix side two: Etched '45-57581-F-1.' and Los Angeles pressing plant symbol

Organ Grinder
Riding High
Kode: 7OG-US2
Picture
Capitol 5920
7" single, May 1967
Picture
Matrix side one: Etched '45-57580-F-1.' and Los Angeles pressing plant symbol
Matrix side two: Etched '45-57581-F-1.' and Los Angeles pressing plant symbol
Both sides also have a stamped '1'. This is at an angle on side two

I Love You
Somebody Tell Me My Name
Kode: 7ILY-US1
Picture
Capitol P 2078
​7" promotional single, January 1968
Picture
Matrix side two: Etched '45-58821-F-1.' and Los Angeles pressing plant symbol
Matrix side one: Etched '45-58820-F-1.' and Los Angeles pressing plant symbol
Both sides also have a stamped '1'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-AR1
Picture
Capitol 33 M 2078
7" promotional single, 1968, Argentinian release
Picture
Matrix side one: Stamped '37CAP-F 2563'
Matrix side two: Stamped '37CAP-F 2564'. There is also what looks like a half height back slash before the five, and an etched 'o' elsewhere
Although the label indicates 4:37, this is actually the 3:33 'medium' length mono mix of I Love You

​The record plays at 33RPM, and the song titles are printed in Argentinian Spanish too: Te Amo / ​Alguien Dice Mi Nombre​

I Love You
Somebody Tell Me My Name
Picture
Capitol 2078
7" single, January 1968, ​US Scranton pressing
Picture
Kode: 7ILY-US13
​
Kode: 7ILY-US2
​
​Kode: 7ILY-US3
​

Kode: 7ILY-US8

​
Kode: 7ILY-US11
Matrix side one: Etched '45-58821-T2' and Scranton pressing plant symbol
Matrix side two: Etched '45-58820-T2' and Scranton pressing plant symbol
Matrix side one: Etched '45-58821-T2 #3' and Scranton pressing plant symbol. Note that the '3' is stamped
Matrix side two: Etched '45-58820-T2 #4' and Scranton pressing plant symbol
Matrix side one: Etched '45-58821-T2 #4' and Scranton pressing plant symbol
Matrix side two: Etched '45-58820-T2 #4' and Scranton pressing plant symbol
Matrix side one: Etched '45-58821-T2 #2' and Scranton pressing plant symbol. Note that the '2' on the end is stamped
Matrix side two: Etched '45-58820-T2 #4' and Scranton pressing plant symbol
Matrix side one: Etched '45-58821-T2 #4' and Scranton pressing plant symbol
Matrix side two: Etched '45-58820-T2 #2' and Scranton pressing plant symbol. Note that the '2' on the end is stamped
Kode: 7ILY-US12

​
Matrix side one: Etched '45-58821-T2 #4' and Scranton pressing plant symbol
Matrix side two: Etched '45-58820-T2 #5' and Scranton pressing plant symbol. Note that the '5' on the end is stamped. Thanks to Robert Termorshuizen for advising the existence of this variant
Kode: 7ILY-US15

​
Matrix side one: Etched '45-58821-T2 #2' and Scranton pressing plant symbol
Matrix side two: Etched '45-58820-T2 #2' and Scranton pressing plant symbol
​
Note that the '2' on the end of both sides is stamped

I Love You
Somebody Tell Me My Name
Kode: 7ILY-US4
Picture
​Capitol 2078
7" single, January 1968, ​US Los Angeles pressing
Picture
Matrix side one: Etched '45-58821-F-1.' and Los Angeles pressing plant symbol
Matrix side two: Etched '45-58820-F-1.' and Los Angeles pressing plant symbol

I Love You
Somebody Tell Me My Name
Picture
​Capitol 2078
7" single, January 1968, ​US Scranton pressing, label variation
Picture
Kode: 7ILY-US5



​Kode: 7ILY-US16
​
Matrix side one: Etched '45-58821-T2 #2' and Scranton pressing plant symbol. Note that the '2' on the end is stamped
Matrix side two: Etched '45-58820-T2 #2' and Scranton pressing plant symbol. Note that the '2' on the end is stamped
Matrix side one: Etched '45-58821-T2' and Scranton pressing plant symbol
Matrix side two: Etched '45-58820-T2' and Scranton pressing plant symbol

I Love You
Somebody Tell Me My Name
Picture
​​Capitol 2078
7" single, January 1968, ​US, label variation
Picture
Kode: 7ILY-US6

​
Kode: 7ILY-US10
Matrix side one: Etched '45-58821-T2 #4' and Scranton pressing plant symbol
Matrix side two: Etched '45-58820-T2 #2' and Scranton pressing plant symbol. Note that the '2' on the end is stamped
Matrix side one: Etched '45-58821-F-2.' and Los Angeles pressing plant symbol. Also has a stamped '2'
Matrix side two: Etched '45-58820-F-1.' and Los Angeles pressing plant symbol. Also has a stamped '1'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-CA1
Picture
Capitol 2078
7" single, 1968, Canadian pressing
Picture
Matrix side one: Etched '45-58821'
Matrix side two: Etched '45-58820'. Both sides also have an etched 'X' and a 'T'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-US14
Picture
​Capitol 2078
7" single, 1969, ​US Los Angeles pressing
Picture
Matrix side one: Stamped '45-58821-F2 4' and Los Angeles pressing plant symbol
Matrix side two: Stamped '45-58820-F1 1' and Los Angeles pressing plant symbol

​This label design was used between April 1969 and June or July 1969. Thanks to Mike Rohlinger for advising the existence of this variant, and for providing images

I Love You
Somebody Tell Me My Name
Kode: 7ILY-US7
Picture
​Capitol 2078
7" single, 1970-1972, ​US Jacksonville pressing
Picture
Matrix side one: Etched '58821 1 2078 H10#1'
Matrix side two: Etched '58820 2 2078 H10#1'. Both sides also have a stamped O

This label design was used between October 1970 and November 1972

I Love You
Somebody Tell Me My Name
Kode: 7ILY-ME1
Picture
Picture
​​Capitol 6353
7" single, 1968, Mexico, promotional copy [Possibly Fake]
Picture
Picture
Matrix side one: Etched '6353-A-Pm-R'
Matrix side two: Etched '6353-B-R-Pm', '23-1-68'

​Note: This release, or at least the copy shown may be a counterfeit. If you look closely at the labels, they appear to have been cut by hand rather than die cut, and have probably been glued over the labels of a stock copy
The moral of the story - be very wary of purchasing from sellers in Mexico. Many are reputable of course, but there is a relatively high percentage who sell counterfeits - fake labels glued over the top of the real ones, counterfeit or fake picture sleeves and so on


I Love You
Somebody Tell Me My Name
Kode: 7ILY-ME2
Picture
Picture
​Capitol 6353
7" single, 1968, Mexico
Picture
Picture
Matrix side one: Etched '6353-A-Pm-'
Matrix side two: Etched '6353-B-Pm'
Some copies came with a fold out picture sleeve. Thanks to Robert Termorshuizen for proving these sleeve images


I Love You
Somebody Tell Me My Name
Kode: 7ILY-ME3
Picture
​​Capitol 6353
7" single, 1968, Mexico, label variation
Picture
Matrix side one: Etched '6353-A-Pm-R'
Matrix side two: Etched '6353-B-R-Pm', '23-1-68'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-ME4
Picture
Picture
​Capitol 6353
7" single, 1968, Mexico, label variation
Picture
Picture
Matrix side one: Etched '6353-A-Pm-R'
Matrix side two: Etched '6353-B-R-Pm', '23-1-68'
​
​Note that the song lengths on the Mexican single are shorter than on all other releases, at 4:21 and 2:49 respectively. These are not shorter edits so must have been pressed with a slightly faster play speed

I Love You
Somebody Tell Me My Name
Kode: 7ILY-UK1
Picture
​Capitol CL 15553
7" single, June 1968, ​UK, promotional copy
Picture
Matrix side one: Stamped 'F 58821-1'. Also has a 'G' and a '1', both on their side
Matrix side two: Stamped 'F 58820-1'. Also has a 'G' and a '1', both on their side, and the letters 'KT'

​Unlike in many other countries, I Love You did not sell well in the UK, and promotional copies are actually easier to find than stock ones

I Love You
Somebody Tell Me My Name
Kode: 7ILY-UK2
Picture
​​Capitol CL 15553
7" single, June 1968, ​UK, stock promotional copy
Picture
Matrix side one: Stamped 'F 58821-1'. Also has an 'R' and a '1', both on their side
Matrix side two: Stamped 'F 58820-1'. Also has an 'R' and a '1', both on their side, and the letters 'KT'

Note that the publishing details on the labels are incorrect. Verulam Music relates to The Zombies, and so should be on the I Love You label rather than Somebody Tell Me My Name

I Love You
Somebody Tell Me My Name
Kode: 7ILY-UK3
Picture
​​Capitol CL 15553
7" single, June 1968, ​UK
Picture
Same matrix and label error as 7ILY-UK2

I Love You
Somebody Tell Me My Name
Kode: 7ILY-SC1
Picture
​Capitol CL 15553
7" single, 1968, ​Scandinavia
Picture
Matrix side one: Stamped 'F 58821 1'
Matrix side two: Stamped 'F 58820 1'

Note that the publishing details on the labels are incorrect. Verulam Music relates to The Zombies, and so should be on the I Love You label rather than Somebody Tell Me My Name

I Love You
Somebody Tell Me My Name
Kode: 7ILY-NE1
Picture
​Capitol F 2078
7" single, 1968, ​Holland
Picture
Matrix side one: Etched '45-58821//10.042-1'
Matrix side two: Etched '45-58820//10.041-1'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-FR1
Picture
Picture
Capitol CLF 2078
7" single, 1968, ​France
Picture
Picture
Matrix side one: Stamped '58821 21', 'M3 259772'
Matrix side two: Stamped '58820 21', 'M3 259773'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-GE1
Picture
Capitol K 23827
7" single, 1968, ​Germany
Picture
Matrix side one: Stamped 'CAP-45-58821-1'
Matrix side two: Stamped 'CAP-45-58820-1'

​Note that the German single label indicates I Love You length as 4:30, whereas most other releases denote 4:37. The actual song length is close to 4:30 on all releases, apart from the Mexican single

I Love You
Somebody Tell Me My Name
Kode: 7ILY-AU1
Picture
Capitol CP-1729
7" single, 1968, ​Australia, promotional copy
Picture
Matrix side one: Etched '45 58821', '7XCAP1537'
Matrix side two: Etched '45 58820', '7XCAP1538'

​Note that the Australian single label indicates song lengths of 4:23 and 2:49, whereas most other releases denote 4:37 and 2:49. The actual song lengths are more like 4:30 and 2:52 on all releases, apart from the Mexican single

I Love You
Somebody Tell Me My Name
Kode: 7ILY-AU2
Picture
​Capitol CP-1729
7" single, 1968, ​Australia
Picture
Matrix side one: Etched '45 58821', '7XCAP1537'
Matrix side two: Etched '45 58820', '7XCAP1538'

​Note that the Australian single label indicates song lengths of 4:23 and 2:49, whereas most other releases denote 4:37 and 2:49. The actual song lengths are more like 4:30 and 2:52 on all releases, apart from the Mexican single

I Love You
Somebody Tell Me My Name
Kode:7ILY-NZ1
Picture
​Capitol F.2078
7" single, 1968, ​New Zealand
Picture
Matrix side one: Etched '45 · 58821'
Matrix side two: Etched '45 · 58820'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-JA TBC
Can't kode as matrix unknown
Picture
Capitol CR-1960
7" promotional single, 1968, ​Japan
Picture
Images 'borrowed' from the internet

I Love You
Somebody Tell Me My Name
Kode: 7ILY-JA1
Picture
Picture
Picture
Capitol CR-1960
7" single, 1968, ​Japan [Four page paper sleeve]
Picture
Picture
Picture
Matrix side one: Stamped '45-58821', '1S', '1'
Matrix side two: Stamped '45-58820', '1S', '3', '8G'

I Love You
Somebody Tell Me My Name
Kode: 7ILY-HK1
Picture
​​Capitol CL 15553
7" single, 1968, Hong Kong / Malaysia / South East Asia
Picture
Matrix side one: Etched 'F 58821' plus a small stamped '1'
Matrix side two: Etched 'F 58820'

I Love You
1000 Years B.C.
Kode: 7ILY-BR1
Picture
Capitol 7C-11.072
7" single, 1968, ​Brazil
Picture
Matrix side one: Stamped '58819'
Matrix side two: Stamped '52757' [Scored out], '59787'

I Love You
1000 Years B.C.
Kode: 7ILY-BR2
Picture
Capitol 7C-11.072
7" single, 1968, ​Brazil [Clearance stamp on labels]
Picture
Matrix side one: Stamped '58819'
Matrix side two: Stamped '59787'

I Love You
Crying Shoes
Kode: 7ILY-NI1
Picture
Capitol CU-1445
7" single, 1968, Nicaragua
Picture

I Love You
Crying Shoes
Kode: 7ILY-NI2
Capitol CU-1445
7" single, 1968, Nicaragua, alternate labels
Picture
Picture
Matrix side one: Etched 'SISA-M- 1445-1'
Matrix side two: Etched 'SISA-M- 1445-2'

Apple Cider
Ashes Of Me
Kode: 7AC-US1
Picture
Capitol P 2251
7" single, 1968, US, Promotional copy
Picture
Matrix side one: Etched '45-70156-F-1.', botched stamped '1' on its side and Los Angeles pressing plant symbol
Matrix side two: Etched '45-59789-F-1.', botched stamped '1' on its side and Los Angeles pressing plant symbol​

​Billboard Magazine, August 10, 1968: (Prod. Capt. Mikey) (Writers: People)  (Beechwood, BMI)-Their "I Love You" proved a smash for them and this driving rock item from the musical "Alison," loaded with discotheque appeal, has much of the sales potential of the recent hit. Strong production work. Flip: Ashes Of Me (Beechwood, BMI). [Billboard predicted that this single would reach the top 60 of the Hot 100 Chart - it didn't]

Apple Cider
Ashes Of Me
Kode: 7AC-US2
Picture
Capitol P 2251
7" single, 1968, US, Promotional copy, Alternate labels
Picture
Matrix side one: Etched '45-70156-F-1.', botched stamped '1' on its side and Los Angeles pressing plant symbol
Matrix side two: Etched '45-59789-F-1.', stamped '2' and Los Angeles pressing plant symbol​

Apple Cider
Ashes Of Me
Kode: 7AC-US3
Picture
Capitol 2251
​7" single, 1968, US Los Angeles Pressing 
Picture
​Matrix side one: Etched '45-70156-F-1.', botched stamped '1' on its side and Los Angeles pressing plant symbol
Matrix side two: Etched '45-59789-F-1.', stamped '2' and Los Angeles pressing plant symbol​

Apple Cider
Ashes Of Me
Kode: 7AC-US4
Picture
​Capitol 2251
​7" single, 1968, US Scranton Pressing
Picture
​Matrix side one: Etched '45-70156-T2' and Scranton pressing plant symbol
Matrix side two: Etched '45-59789-P1' and Scranton pressing plant symbol

Apple Cider
Ashes Of Me
Kode: 7AC-US5
Picture
​Capitol 2251
​7" single, 1968, US Scranton Pressing, Label Variation
Picture
​​Matrix side one: Etched '45-70156-P1#2' and Scranton pressing plant symbol
Matrix side two: Etched '45-59789-T2' and Scranton pressing plant symbol

Apple Cider
Ashes Of Me
Kode: 7AC-CA1
Picture
​Capitol 2251
​7" single, 1968, Canada
Picture
​​Matrix side one: Etched '45-70156-P3'
Matrix side two: Etched '45-59789-P3'

Apple Cider
Ashes Of Me
Kode: 7AC-NZ1
Picture
​​Capitol F.2251
​7" single, 1968, New Zealand
Picture
​Matrix side one: Etched '45.70156'
Matrix side two: Etched '45.59789'

I Love You [Long version]
I Love You [Short version]
Kode: 7ILY-US9
Picture
Capitol P4481 / P4482
​7" promotional single, 1968, US
Picture
​Matrix side one: Etched 'PRO-4481-F-1.', Also has a very lightly stamped '1' and the Los Angeles pressing plant symbol
Matrix side two: Etched 'PRO-4482-F-1.', Also has a stamped '1' and the Los Angeles pressing plant symbol

I Love You
Organ Grinder
Riding High
Somebody Tell Me My Name
Kode: 7ILY-SP1


​
Picture
Picture
Capitol EAP 21103
7" EP, 1968, Spain


Picture
Picture
​Matrix side one: Stamped 'EAP 1 21103', '[Diamond]G' on their side, and a sideways '1'
Matrix side two: Stamped '850 EAP 21103 [Upside down triangle]=1', [Diamond] 'G' on their side

I Love You [by People!]
Some Of Shelly's Blues [by Stone Ponies]
Lilli Marlene [by Al Martino]
All The Grey Haired Men [by The Letter Men]
Kode:
​7EHP-ME1

​
Picture
Picture
Capitol EAP-21109
7" EP, 1968, ​Mexico

​
Picture
Picture
​Matrix side one: Etched 'EAP-21109 (EAP1-21109) 26-V11-68', Also has two symbols and a sideways '1'
Matrix side two: Etched 'EAP-21109(EAP2-21109) 26-V11-68', Also has two symbols and a very faint '1' at an angle

I Love You
Crying Shoes
1000 Years B.C.
Ashes Of Me​
Kode: 7ILY-ME5
Picture
Picture
​Capitol EAP-21197
7" EP, 1968, Mexico, promotional copy, Possibly fake

​
Picture
Picture
​Matrix side one: Etched 'EAP-1-21197-A'. Also has a sideways '1'
Matrix side two: Etched 'EAP-2-21197-B', '1'

I Love You
Crying Shoes
1000 Years B.C.
Ashes Of Me​
Picture
Picture
​Capitol EAP-21197
7" EP, 1968, Mexico


Picture
Picture
Kode: 7ILY-ME6

Kode: 7ILY-ME7
​Matrix side one: Etched 'EAP-1-21197-A'. Also has a sideways '1'
Matrix side two: Etched 'EAP-21197-B'. Also has a sideways '2'
​​Matrix side one: Etched 'EAP-1-21197-A'. Also has a sideways '1'
Matrix side two: Etched 'EAP-2-21197-B', '1'

Think
Organ Grinder
I've Got You On My Mind
Riding High
Kode: 7Thi-ME1


​
Picture
Picture
Capitol EAP-21312
7" EP, 1968, ​Mexico

​
Picture
Picture
​Matrix side one: Etched 'EAP-1-21312.'
Matrix side two: Etched 'EAP.2.21312.'

Love Me Tonight [by Tom Jones]
Hide And Seek [by Tom Jones]
Hello I Love You [by The Doors]
I Love You [by People!]
Kode: 7TJ-IR1


​
Picture
Picture
Top 4 EX-4271
7" EP, Unknown year, Iran

​
Picture
Picture
​Matrix side one: Stamped '4271A TP619'
Matrix side two: Stamped '4271P TP620'

Love Me Tonight [by Tom Jones]
Hide And Seek [by Tom Jones]
Hello I Love You [by The Doors]
I Love You [by People!]
Kode: 7TJ-IR2
Picture
Picture
Top 4 EX-4271
7" EP, Unknown year, Iran, alternate sleeve

​
Picture
Picture
​​Matrix side one: Stamped '4271A TP619'
Matrix side two: Stamped '4271P TP620'

​I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US1
​
Picture
​​Capitol 6224, Starline issue
​7" single, unknown year, US
Picture
Matrix side one: Etched ’45-58821’, ‘-J11’, ‘J. [Winchester pressing plant symbol]. Also has stamped ‘MASTERED BY CAPITOL’
Matrix side two: Etched ’45-58028-J13', '. [Winchester pressing plant symbol]’

This label design was used from late 1972 to September 1975

​I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US2
​
Picture
​Capitol 6224, Starline issue
​7" single, unknown year, US, "Capitain" spelling error corrected
Picture
Matrix side one: Etched ’45-58821-F-13.’, [Los Angeles pressing plant symbol]. Also has stamped ‘MASTERED BY CAPITOL’ and a sideways '1'
Matrix side two: Etched ’45-58028-J-12.', ‘J.M’, [Los Angeles pressing plant symbol]. Also has stamped ‘MASTERED BY CAPITOL’ and a sideways '1'

This label design was used from late 1972 to September 1975

​I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US3

Picture
​​Capitol 6224, Starline issue
​7" single, unknown year, US, additional circumference text
Picture
Matrix side one: Etched ’58821 6224 H10#1’, ‘J.M.’, [Jacksonville pressing plant symbol]. Also has stamped ‘MASTERED BY CAPITOL’
Matrix side two: Etched ’58028 6224 H10#1’, [Jacksonville pressing plant symbol]’, ‘J.M’. Also has stamped ‘MASTERED BY CAPITOL’

This label design was used from around October 1975 to March 1978

I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US4
​
Picture
Capitol 6224, Starline issue
​7" single, unknown year, US
Picture
Matrix side one: Etched ’45-58821', ‘-J11’, ‘J. [Winchester pressing plant symbol]. Also has stamped ‘MASTERED BY CAPITOL’
Matrix side two: Etched ’45-58028-J13', [Winchester pressing plant symbol]

This label design was used from around March 1978, until late 1981

​I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US5

Picture
​Capitol 6224, Starline issue
​7" single, unknown year, US, "Capitain" spelling error corrected
Picture
Matrix side one: Etched ’45-58821-F-13.’, [Los Angeles pressing plant symbol]. Also has stamped ‘MASTERED BY CAPITOL’ and a sideways '1'
Matrix side two: Etched ’45-58028-J-12.', ‘J.M’, [Los Angeles pressing plant symbol]. Also has stamped ‘MASTERED BY CAPITOL’ and a sideways '1'
​

This label design was used from around March 1978, until late 1981

I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US6
​
Picture
Capitol X-6224, Starline issue
​7" single, unknown year, US
Picture
Matrix side one: Etched ’45-58821’, ‘-J11’, ‘J. [Winchester pressing plant symbol], ‘6224’. Also has stamped ‘MASTERED BY CAPITOL’
Matrix side two: Etched ’58028 X6224 H10#1’, ‘J.M’, [Jacksonville pressing plant symbol]’. Also has stamped ‘MASTERED BY CAPITOL’

The blue Starline label design was used from November 1981 to July 1983

I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US7
​
Picture
Capitol X-6224, Starline issue
​7" single, unknown year, US
Picture
Matrix side one: Etched ’45-58821’, ‘[symbol] -J11’, ‘0-1’, ‘J. [Winchester pressing plant symbol], ‘6224’. Also has stamped ‘MASTERED BY CAPITOL’
Matrix side two: 
Etched ’58028 X6224 H10#1’, ‘SP 0-1’, ‘J.M’, [Jacksonville pressing plant symbol]’. Also has stamped ‘MASTERED BY CAPITOL’

This label design was used from 1986, until mid 1988

​I Love You
Nobody But Me [by The Human Beinz]
Kode: 7ILYS-US8
​
Picture
​Capitol X-6224, Starline issue
​7" single, unknown year, US
Picture
Matrix side one: Etched ’45-58821’, ‘[symbol] -J11’, ‘0-1’, ‘J. [Winchester pressing plant symbol], ‘6224’. Also has stamped ‘MASTERED BY CAPITOL’
Matrix side two: 
Etched ’58028 X6224 H10#1’, ‘SP 0-1’, ‘J.M’, [Jacksonville pressing plant symbol]’. Also has stamped ‘MASTERED BY CAPITOL’

The purple Starline label was introduced in mid 1988

Nobody But Me [by The Human Beinz]
I Love You
Kode: 7ILYP-NE1
Picture
Picture
​​Capitol 1A 006-86323, Popcorn Oldies issue
​7" single, 1981, Holland
Picture
Picture

Note that I Love You is incorrectly identified as being performed by The Human Beinz on both the sleeve and label. It is People's recording of the song


Buttercup

This is a full studio recording

This song remained unreleased until its inclusion on the bonus CD [Archive] given with Solid Rock pre-orders of Gregory Thornbury's biography of Larry, which was released on March 20, 2018. The book is titled Why Should The Devil Have All The Good Music: Larry Norman And The Perils Of Christian Rock
Picture
Picture
Picture
Picture

Changes

Picture

Country Church Country People

Non-cropped photograph included here, as the note written on the sleeve is interesting
Picture

Giant Man [Also known as I Want You To Know]

Picture

Here Comes The Ice Cream Man

This is a full studio recording

This song remained unreleased until its inclusion on the bonus CD [Archive] given with Solid Rock pre-orders of Gregory Thornbury's biography of Larry, which was released on March 20, 2018. The book is titled Why Should The Devil Have All The Good Music: Larry Norman And The Perils Of Christian Rock
Picture

I Don't Wanna Lose You

Picture

Let Me Down Easy

Picture

Marvin David Walter Lincoln Jones

Picture

Sigrid Jane

Picture
Picture

Somebody Tell Me My Name

Picture

The Bases In My Life Are Always Loaded With Men

Picture

Think
Picture

To Feel Like A Woman

Both of these acetates feature Trudy Johnson demoing Larry's song. One is performed like a ballad whilst the other is a more upbeat band version

There is also a recording in the archives of Larry performing this song himself
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Yellow Daisies

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